The Insight Myanmar Podcast
Featuring longform interviews getting at the heart of Dhamma practice in Myanmar (Burma). We talk with monks, nuns, meditation teachers, yogis, meditators, pilgrims, authors, scholars, and more to learn about the range of Buddhist practice and life in the Golden Land.
The origins of the meditation and mindfulness movement that has swept across the world can be traced back to 19th and 20th century Burma (Myanmar). And still today in the 21st century, the Buddha's teachings of liberation attract a contemporary generation of Dhamma seekers to this small Southeast Asian country.
This podcast series is devoted to uncovering the depth and diversity of Buddhist practice in the Golden Land. We engage in in-depth discussions with a wide range of practitioners--foreigners and local Burmese, lifelong monastics to lay practitioners, and including authors, scholars, meditators, teachers, pilgrims, and more--to explore how the Dhamma has been put into practice by those seriously on the Path.
Listen to our most recent episode, below!
How vipassana meditation in the tradition of S.N. Goenka informs engagement during times of strife and instability.
An interview with a former monastery helper now in the front lines of the nonviolent protest movement.
A research project into the amazing life of one of the first Western monks to dive into the Burma Dhamma.
A groundbreaking anti-racism training at Dhamma Kunja, a vipassana center in Washington State in the tradition of S.N. Goenka.
The Johnny Appleseed of Filipino meditators reflects on lessons learned in Buddhist Burma.
A French vipassana meditator in the tradition of S.N. Goenka takes a spiritual pilgrimage in Myanmar, and falls in love with the Golden Land.
Two Filipino meditators share their experience of coming from a religious Catholic upbringing to practicing Buddhist meditation.
A Dhamma book review examines the Western discovery of mindfulness over the course of 3 generations.
The second part of our discussion with Zaw Win Htet, in which we learn about Mohnyin Sayadaw, Hpo Win Daung Caves, Thanboddhay Monastery, and Nat Taing Monastic School.
A discussion with Zaw Win Htet about the history of the Monywa region, the backgrounds of Ledi Sayadaw and Maha Bodhi Ta Htaung Sayadaw, and the practice of removing shoes at Buddhist pagoda sites.
On this episode, we are treated to a reflective and introspective look at how Black practitioners have applied Dhamma wisdom through the pain of racism and prejudice.
The story of Melissa Coats is a tale of finding balances. It relates to navigating her identity, being half-white and half-Korean, and her practice, going back and forth between being a lay practitioner and Buddhist nun, in both secular and religious communities. Melissa’s journey has already been a long one for someone so young, and it is still unfolding.
We hear from meditators and monastics from Thabarwa Monastery to learn how the pandemic has affected their meditation practice, and how their Dhamma practice has informed their way of relating to the pandemic.
A shocking kick reveals the nexus of race, ethnicity, religion, and culture at a Burmese monastery. Sometimes a single moment can be so profound… or so complex… that it takes hours, or even days, following the encounter to get a handle on it. In the story that follows, that “moment” has been taking years to process.
The inaugural episode in our new series, “the Intersection of Dhamma & Race.” Here, we are widening the scope of our usual programming to examine the overlapping lines of Dhamma practice, racism and social justice. We hope that this show can be a platform for examining entrenched biases, practices and attitudes within the vipassana and mindfulness communities.
In the “Sheltering in Place” episode, we bring you the story of four foreigners who stayed in Myanmar just as the world was shutting down. From expats living in Yangon to meditators looking for a place to practice in Upper Myanmar, with some caring for a family and others leading fundraising effort, the stories that follow are as diverse as they are compelling.
In the “Exiled Expats Edition,” we bring you the story of four foreign practitioners who left Myanmar just as the world was shutting down. In their own ways, these four different tales convey an overarching Dhamma theme: the unpredictability of life. Each speaker faced significant instability and disruption, losing jobs or having to forego plans, with monasteries closing their doors, which for some was complicated by worried parents pleading for an imminent return. Though each one’s story is different in many details, they all point in their own way towards this sense of importance and urgency in our practice.
Insights from a brush with death: An American forest monk faces death with awareness and insight.
There is something special about the words of committed bhikkhus. Leaving behind the fetters of lay society in order to devote themselves to the contemplative life, monastics are often able to present a novel or fresh outlook on the “daily grind” that may be invisible to us lay folk, when we can’t see the forest for the trees. The freedom that monastics have from day-to-day necessities permits them a broader perspective through which to understand the present situation.
The second installment of the COVID-19 in Myanmar series brings us the Women’s Edition. So often at times of crisis and at key moments in world events, it is the voices of men who make the news or provide commentary. This is certainly not untrue in Myanmar, where speeches from revered Sayadaws or male meditation teachers dominate the Dhamma discourse. In this show, we want to highlight the voices of female practitioners, as they describe how they have responded to the ongoing pandemic.
Related Dhamma Projects
BURMA DHAMMA BLOG
A Buddhist nun who spent time in the Golden Land reflects on her experience in this time of need.
The crazy foreigner who forgot his Burmese vocabulary at the critical time it was needed.
For over four years, a team of volunteers researched hundreds of monasteries, meditation centers, pagodas, caves, nunneries, monastic schools, and ruins throughout Myanmar. Why were they donating so much of their own valuable time, without anyone receiving any remuneration for their contributions or time? Not for academic study or adventurous travel, but to create a meditator’s guide to assist spiritual aspirants and truth-seekers to make best use of their precious time in the Golden Land.
The first part, an introduction covering the travel nuts and bolts of a meditator’s trip to the Golden Land, can be found here. The second part comprises chapters that explore the areas around Yangon and Mandalay, as well as Shan State. They take an in-depth look at a variety of sites of interest and import, as well as their related teachers, lineages and histories. It is currently in press (at Pariyatti, a dhamma-focused bookstore). Both volumes are free.
Although we still have many hundreds, if not thousands more pages focused on other areas of the country—as well as draft essays on Burmese Buddhist history and culture, meditation masters, and more—our work on the book unfortunately came to a halt following the completion of Part 2. Simply put, there was no source of continued funding even to keep the lights on. As a result, after Part 2 went to press, our team disbanded, as it was uncertain how (and if) the rest of this material would one day be refined and shared.
So you can imagine our happiness— and surprise—when a couple of years later, a generous patron came out of nowhere to give a donation. Having benefited from being both a pilgrim to Myanmar and reader of the guidebook, he wanted to give back to encourage more such Dhamma work to continue, so more could benefit like he did. As we reflected on how to best apply these funds, we were sure about one thing: we wanted to reach meditators more efficiently—and in a more timely way—than was possible with the guidebook. The processes of research, writing, editing, designing and layout had extended the book’s overall timeline, and thus delayed its availability to meditators—something we wanted to avoid on our next project.
For this reason, we gravitated instead towards a lighter, nimbler and more accessible model for sharing similar content with seekers on the path: a podcast. And thus, Insight Myanmar Podcast was born. Though not designed to replace it, there is definitely a strong connection between the current Insight Myanmar Podcast and the original Shwe Lan Ga Lay project. In addition to several team members carrying over, many of the initial podcast guests who came on our show were first met while researching the book project. While we felt that many of their individual stories were compelling and deserved to be told in their own right, they did not really fit into the book’s overall purpose. But with the podcast… now they can!
However… that generous surprise donation was only enough to start the podcast series up and cover an initial run of episodes. After this, we require listener support if we are to continue past this. If you like what you’re hearing and want to support us, please do so here.
Anthology of a Noble One

It all started like this… in 2012, Joah McGee and Bhikkhu Agga had traveled to Webu Sayadw’s monastery in rural Ingyinbin, in upper Burma, to meditate. While there, they learned that someone had surprisingly donated a new scanner to this remote monastery, and so they requested permission to scan the monastery’s collection of photos of Webu Sayadaw, a 20th century Burmese monk many consider to have been fully enlightened. Once the scanning was complete, they realized that the collection merited much more than an album of photos or a simple slideshow, and over the course of the next several months—moving eventually to the caves of Prekhemma Monastery in the the Sagaing Hills—this video was the end result. Originally made just as a homage to Webu Sayadaw and an expression of gratitude to Ashin Mandala, a senior monk there, once it got posted to YouTube, the video took off in the meditator community and led to additional Dhamma projects.
Exploring the role of trauma through art.